At witching hour it approaches, cloaked in lustrous darkness: goth. Although oft-maligned, and typically mistaken for it’s younger, mall-lurking cousin, goth is ubiquitous. The Mountain Goats‘ Goths addresses “a subject closer to [Peter Hughes’] heart perhaps than that of any…album previous,” Dan Bejar‘s Ken is “definitely the most goth [Destroyer] record you’re going to hear,” and Princess Nokia is carving out a space […]